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2019-01-26 16:59:44

ivan zlax

zlax@ussr.win

The secret influence of Tula past millennium industrial on Russian old school rock and roll.
https://www.youtube.com/watch?v=iwjiLfDa0Qc
Секретное влияние тульского индастриела прошедшего тысячелетия на российский рок-н-ролл:

ПАРЕНЬ В КРАСНОЙ РУБАХЕ wrote the following post Sat, 26 Jan 2019 15:00:42 +0300

Мои твиты
Мои твиты

Сб, 10:15: дичайше приятно, что Николай вспомнил добрым словом и меня, и даже показал, какого я был роста в 1993 году )) правд… https://t.co/okWKiyOftH

#accordion #localguides #music #sound #tula

russian

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2019-01-27 11:16:21

ivan zlax

zlax@ussr.win

The secret influence of Tula proprietary control programming:

ivan zlax wrote the following post Sat, 21 Feb 2015 06:17:00 +0300

lovers’ tiffs are harmless
At this remarkable day of 223 years since the Great French Revolution, by reading this message, you can achieve the fifth level of secrecy, given the necessary level of competence in the area of information technologies.

But keep in mind that your roof can be easily blown off, have you taken your chance at the fifth level. After achieving such knowledge, you are risking with leaving your head with no roof above it at all.

Continue reading this message only at your own risk – either if you have nothing to loose, or if you have an open operation system installed. To proprietary systems this message carries an open threat.

Well then: for centuries did Tula forge weapons.

Joking aside, fellows. The most alert of you could have already taken notice of that unschooled children and animals have lot more freedom than adults with stable income and good education.

But why so? The issue is about weapons. About weapons of mass self-defeat. And the weapons of this kind has long since been forged in Tula.

A couple of weeks ago, a ЦКБА employee of the second secrecy degree has broke in to me. (If this is required, I can speak out this person’s identity, as I have got his account in one of the social networks, and he also used to ask me himself to not make a secret for anyone out of this information.) He announced to me that at his workplace, all employees smoke “spice” and do no rocket science at all, and that the security guard of his institution guards naive and drunk citizen from gravity bongs and not covert enemy spies from state secrets; the ЦКБА is but a canopy for much more deep-watered processes of self-defeat.

And what does this military institution cover? It covers memory leaks and rapid development of proprietary controls by slaves of monetary cabbbala.

The issue is about the fact that since the Soviet times, one of the Tula’s universities prepares a lot of military engineers that have effective minds but lack hearts. And in the nearby building at Krasnoarmeisky prospect, does for several decades function an American company DeveloperExpress that entices heartless military engineers with help of ordinary American petro-dollars. (In Tula, it never took place that the money of Moscow mint were popular, while the trust to the Federal Reserve System of US is still high for some reason.) But DevEx is what supports the system of memory leaks and rapid development of controls.

There is the second, grounding element of this system of the natural memory’s self-defeat and the replacement of it with digital half-blanks: this is the AutomatedQA company situated in a hundred of meters aside the Tula Machinery Plant at the Mosina street. Actually, their AQtime software has started this cabalistic collaboration of Tula’s military engineers and American sellers of death. But then the people involved into the development of this software have spilled their own memory and became mechanical bio-robots serving a system of digital control and of memories’ erasure.

I have several acquainted persons employed at DeveloperExpress (if anyone is interested – I can reveal their identities, as I keep their contacts in one of the social networks) – and I have seen for myself on numerous occasions that they have some problems related to memory and are marked by an absolute passivity, notably in the virtual space, and they try to concoct a successful image of themselves while in real life, despite their vast possibilities in buying modern Grand Touring cars, women and gadgetry, they are far from looking happy or at least fulfilled. It appears that even if desired, these people would be unable to leave the digital cabala that is being developed by themselves.

I don’t know whether there are people that are in control of this automatic leak and development of control. But based on the fact that the AutomatedQA have been rebranded into SmartBear Software not long ago and that younger students voluntary go for “free lunch” into this digital noose, I think that this system has run into cycle and that even their American hosts have been suffered an involuntary memory leak.

And aren’t you, by an accident, under control of these proprietary controls developed in Tula and packed by American companies?

If you are thinking that anyone besides you has surrendered to their influence – don’t lose your heart, look at you enemy’s eyes. Or, if this doesn’t come in, throw their operation system into one of the windows.

ODD# I(e)/3,v;52Chs3181
#odd #software #tula #conspiracy #Russia #usa #exploitation
original post@wp

2019-01-27 11:19:17

ivan zlax

zlax@ussr.win

The secret influence of Tula art, animation and weather:

ivan zlax wrote the following post Tue, 06 Jan 2015 22:49:00 +0300

23 years ago there was a funeral dali in thule
56 Chaos 3158 (25 February 1992) in Tula held the funeral of Salvador Dali:

Action “the Funeral of Salvador Dali”, held in 1992 year, was the culmination of intense artistic activity Tula conceptual Alexander Aladin, which began in the early 90-ies and gradually superseded the mediocre post-60es art mainstream Tula spill. Early morning in February 92 Alexander, conducting a prior campaign, gathered near the shop “Music products” several dozen representatives of the Tula informal youth, he gave all purchased in a given store primitive percussion musical instruments and undertook a mass rally from mid-Krasnoarmeyskaya prospect before the end of the street Soviet (i.e., across the Central part of the hero-city of Tula). Headed the procession nonconformists, real bearing the coffin with the body of the great artist Salvador Dali, made of papier-mache and dressed in the costume belonging to the organizer. And was accompanied by all the other members of happening, many of which, as already mentioned, were equipped with various percussion, and therefore provided a show of improvised music. The procession, oddly enough, was not stopped by law enforcement, though, in some way, impede the movement of vehicles along the Central streets of the city. Apparently, the authorities relaxed liberal at times, just not in time to react to what is happening. Reaching the designated point (vacant lot on a street Soviet) present conducted in the past the way of the Lord Gave, and listened to the proper speech of Aladin, imbued with near, and buried the coffin. After standing for 20 minutes near the grave, the coffin was dug back since the suit Alexander was in the singular. Immediately after this, the backbone campaign, including the organizer, was arrested by law enforcement, but after a few hours yet been released. (the author of this report vook)

Also, i would like to draw your attention to 3 different versions of the same song, the author of the text which Kolya Motorcyclist:

Tvar – Tsvetnie Multfilmi
Krasnaya Kniga – Tsvetnie Multfilmi
The Machines – Tsvetnie Multfilmi

And please pay attention to this photo taken at the information stand of the Tula Central Park of culture and rest named Peter Petrovich Belousov:

ODD# III(c)/1,iii;6Chs3181
#odd #erisian #tula #dali #art #weather #ritual
original post@wp

2019-01-27 11:21:01

ivan zlax

zlax@ussr.win

The secret influence of Tula roots on British occultist and ceremonial magician:

ivan zlax wrote the following post Mon, 05 May 2014 23:23:00 +0400

disCoredian Leo Tolstoy

https://www.youtube.com/watch?v=lmUXZMmFpkw

The Russian audience was only able to get some more or less detailed information on Crowley's life when very poor translations of the books The Occult by Colin Wilson and The Black Arts by Richard Cavendish were published in 1994. Wilson's funny stories and really stupid things concerning Crowley became a real treasure for Russian authors whence everyone could generously scoop out everything he took into his head even not giving himself trouble of making reference to the source. (Professor W. F. Ryan "The Great Beast in Russia")

To get 666, Aleister E. Crowley wrote his name in Hebrew (Alef-Lamed-Heh-Yod-Samekh-Tete-Heh-Resh-Heh-Kaf-Resh-Ayn-Vav-Lamed-Heh-Yod). Meanwhile, he did not throw out “e”, as Tolstoy has proposed.

Turning out the words l'empereur Napoléon into ciphers on this system, it happens that the sum of these numbers equals 666, and Napoleon is thereby seen to be the beast prophesied in the Apocalypse. Moreover, working out in the same way the words quarante-deux, that is, the term for which the beast was permitted to continue, the sum of these numbers again equals 666, from which it is deduced that the terms of Napoleon's power had come in 1812, when the French Emperor reached his forty-second year. This prophecy made a great impression on Pierre. He frequently asked himself what would put an end to the power of the beast, that is, of Napoleon; and he tried by the same system of turning letters into figures, and reckoning them up to find an answer to this question. He wrote down as an answer, l'empereur Alexandre? La nation russe? He reckoned out the figures, but their sum was far more or less than 666. Once he wrote down his own name “Comte Pierre Bezuhov,” but the sum of the figure was far from being right. He changed the spelling, putting s for z, added “de,” added the article “le,” and still could not obtain the desired result. Then it occurred to him that if the answer sought for were to be found in his name, his nationality ought surely to find a place in it too. He tried Le russe Besuhof, and adding up the figure made the sum 671. This was only five too much; the 5 was denoted by the letter “e,” the letter dropped in the article in the expression l'empereur Napoléon. Dropping the “e” in a similar way, though of course incorrectly, Pierre obtained the answer he sought in L'russe Besuhof, the letters of which on that system added up to 666. This discovery greatly excited him. How, by what connection, he was associated with the great event, foretold in the Apocalypse, he could not tell. But he did not for a moment doubt of that connection. His love for Natasha, Antichrist, Napoleon's invasion, the comet, the number 666, l'empereur Napoléon, and l'russe Besuhof—all he thought were to develop, and come to some crisis together to extricate him from that spellbound, trivial round of Moscow habits, to which he felt himself in bondage, and to lead him to some great achievement and great happiness.

In a recent paper, Witztum, Rips and Rosenberg found a surprising correlation between famous rabbis and their dates of birth and death, as they appear as equidistant letter sequences in the Book of Genesis. We make a smaller or equal number of mistakes, and find the same phenomenon in Tolstoy's eternal creation "War and Peace".

ODD# II(b)/4,iii;52Dsc3180
#odd #erisian #hoax #tula #ritual #conspiracy
original post@ljr